Eye of the Devil

A left eye with a red iris centered within an inverted silver triangle.

Definition:

The “Eye of the Devil” typically refers to a malevolent, watchful gaze that symbolizes evil, misfortune, or a sinister presence. It can be interpreted literally, as an actual eye belonging to a demonic figure, or metaphorically, representing the perception of evil influences or the feeling of being watched by something wicked.

Etymology:

The phrase “Eye of the Devil” combines “eye,” derived from the Old English word “ēage,” which refers to the organ of sight, with “devil,” originating from the Old English “deofol,” which comes from the Latin “diabolus,” meaning “slanderer” or “accuser,” a term often associated with Satan in Christian theology. The word “devil” has roots in ancient Greek “diábolos,” which also means “slanderer.”

Symbolism:

In literature and popular culture, the symbol of an eye is often used to represent God’s antagonist: Satan/the Devil (also known as Dajjal). The symbol is also known as the evil eye. One eye symbolizes a fantasy and a lie, which is accurate in the context of the Eye of the Devil, as the Devil is a fictional character.

The music album cover for “Casus Luciferi” by Watain features a group of hooded figures, possibly fallen angels, gathered beneath a glowing, upside-down Eye of Providence, symbolizing the Eye of the Devil. The arc shape of the background, together with the eye in the sky, forms the symbol of Islam, also known as the Mason symbol. “Casus Luciferi” is Latin and means “the fall of Lucifer.”

The album cover for "Casus Luciferi" by Watain features a black-and-white illustration of a group of hooded figures gathered beneath a glowing upside-down triangle with an eye at its center. Rays of light emanate from the triangle, creating a dramatic and occult atmosphere.

The fresco “Sermon and Deeds of the Antichrist” by Luca Signorelli in the cathedral of Orvieto, Italy, depicts the Devil whispering in the ear of Jesus Christ during the Sermon on the Mount, hinting at it being the Devil speaking through Jesus, meaning the Sermon on the Mount was lies. In the painting, we see the Devil’s face in profile with only one eye visible.

A scene filled with detailed and dynamic figures, representing various moments of the Antichrist's story. At the center, a figure resembling Christ preaches to a crowd, but it is the Antichrist, depicted with the Devil whispering into his ear, symbolizing manipulation and false prophecy. The Devil’s face is seen in profile above the Antichrist's shoulder. Surrounding the central figure are people engaged in chaos, violence, and deceit, reflecting the Antichrist's corrupting influence. On the left, a scene depicts people being overpowered and trampled, some lying dead or injured on the ground, while others carry out violent actions. To the right, figures gather in groups, some showing fear, others involved in discussions, highlighting the confusion and moral decay. In the background, a large, classical temple dominates the landscape, with dark figures ascending its steps, symbolizing the influence of evil in places of authority. Above the entire scene, heavenly light shines down, contrasting the dark deeds happening below, with an angel striking another angel turning it into a fallen angel, underscoring the spiritual battle between good and evil. The fresco is a vivid and complex portrayal of biblical themes related to the end times and deception.

The music album cover for Celtic Frost’s “To Mega Therion” depicts a dark, surreal scene in which a large, horned figure resembling the Devil holds Jesus Christ, with His arms stretched out, forming the shape of the letter “Y,” as He was when crucified. The Devil is using Jesus as a slingshot. One of the Devil’s eyes is closed, giving the impression that he is aiming with precision, and a large nail appears ready to be launched from Jesus’ outstretched arms. The background features serpentine creatures and haunting, skeletal faces, enhancing the ominous and disturbing tone of the image.

Music album cover for "To Mega Therion" by the band Celtic Frost featuring dark, surreal, and demonic imagery with a central figure resembling a horned beast holding a crucified human-like figure. Other eerie elements include serpentine creatures, ghostly faces, and ominous crosses in the background, reflecting the album's heavy metal and occult themes.

In the opening credits of the TV series “Cow and Chicken,” the character Red Guy (The Devil) is shown in four different costumes (parodying the Devil’s reputation as a master of disguise) while winking, smiling, and giving a thumbs-up.

The character Red Guy from the Cow and Chicken TV series in four different costumes, each with exaggerated grins, one eye winking, and giving a thumbs-up. The costumes include a Viking helmet, an American football player, a police officer, and a nurse's uniform.. The characters are lined up in a playful, cartoonish manner against a simple background.

The video game cover for “Dungeon Siege II” features the antagonist Valdis, who has red skin and one visible eye.

The cover of the video game Dungeon Siege II. The artwork features three heroic characters: a warrior wielding a sword, a female fighter with a sword and shield, and an archer, all poised for battle. In the background, a menacing demonic face looms over a fiery scene, with additional creatures and soldiers below, creating a dramatic and intense atmosphere that reflects the action-packed nature of the game.

The music album cover for Eminem’s “Curtain Call 2” features an image of Eminem prominently in the center, making a hand gesture symbolizing devil horns, which blocks his right eye. He is placed inside a rhombus. The theatrical curtains being pulled open form the triangular shape of an upside-down love heart, with the number 2 placed at the top. Together, they resemble the Illuminati symbol. The artwork is filled with references to his career, including a character wearing an old hockey mask, peeking with one eye visible through the opening of a curtain.

The music album cover for Eminem's "Curtain Call 2." It features a theatrical design with Eminem prominently in the center, making a hand gesture symbolizing devil horns. The artwork is filled with references to his career, including high scores, jets, buildings, and various visual elements that reflect his music and personal themes.

The way Netflix chooses to promote the TV series “Lucifer” highlights the symbolism of Lucifer’s duality. Lucifer is left-eyed, while Chloe Decker is right-eyed. First, Lucifer teaches Chloe Decker to see with the left eye, then Chloe Decker teaches Lucifer to see with the right eye.


A promotional image for the TV series "Lucifer" featuring the main character, Lucifer, set against a red background. His devil horns appear in the shadow. Half of his face is in shadow, showing only one eye, creating a mysterious and ominous effect. The show's title appears below.
A poster for the TV series "Lucifer," with Lucifer leaning in close to Chloe. Chloe's face is in profile with only one eye visible. Both characters have intense expressions, set against a red background, creating a dramatic and romantic tone.
A poster for the TV series "Lucifer," with Lucifer gently covering Chloe's right eye, while she looks upwards. The tagline "There's no hiding" appears above them, creating a sense of mystery.
A promotional image for the TV series "Lucifer," showing the main character standing behind a woman (Chloe), with both looking serious. Chloe's head is blocking Lucifer's left eye. Lucifer's devil wings are visible in the background, surrounded by fiery light.
A poster for the TV series "Lucifer," with a close-up of Lucifer with a glowing red eye and a single tear on his cheek, as only half his face is in frame. His angelic wings are faintly visible in the background, hinting at his dual nature.
A promotional image for the TV series "Lucifer" featuring the main character, Lucifer, set against a red background. His devil horns appear in the shadow. Half of his face is in shadow, showing only one eye, creating a mysterious and ominous effect. The show's title appears below. A poster for the TV series "Lucifer," with Lucifer leaning in close to Chloe. Chloe's face is in profile with only one eye visible. Both characters have intense expressions, set against a red background, creating a dramatic and romantic tone. A poster for the TV series "Lucifer," with Lucifer gently covering Chloe's right eye, while she looks upwards. The tagline "There's no hiding" appears above them, creating a sense of mystery. A promotional image for the TV series "Lucifer," showing the main character standing behind a woman (Chloe), with both looking serious. Chloe's head is blocking Lucifer's left eye. Lucifer's devil wings are visible in the background, surrounded by fiery light. A poster for the TV series "Lucifer," with a close-up of Lucifer with a glowing red eye and a single tear on his cheek, as only half his face is in frame. His angelic wings are faintly visible in the background, hinting at his dual nature.

In the Quran, Al-Masih ad-Dajjal is described as a false messiah or an antichrist figure; in other words, a devil. Hadiths describe Al-Masih ad-Dajjal as an evil creature who will appear at the end of times before Judgment Day. He is often depicted as a man with one eye. The name Dajjal is Arabic and means “deceiver” or “the great liar.” The name Al-Masih ad-Dajjal is Arabic and means “the false messiah” or “the deceiving messiah.”

Book covers for “Dajjal: The Final Deception” by Aftab Shahryar features a large eye. In the original book cover, the eye is observing the earth burning. In the alternative book cover, fire is coming out of an angry eye.


The book cover of "Dajjal: The Final Deception" by Aftab Shahryar features a large, prominent green eye at the center, symbolizing the all-seeing eye of Dajjal. Below the eye is an image of the Earth on fire, further emphasizing the global impact of Dajjal's deception. The title is displayed at the top in bold, metallic letters.
Alternative book cover of "Dajjal: The Final Deception and Signs of Qayamah" by Aftab Shahryar prominently features an eye, with flames coming out of it. The eye symbolizes the malevolent gaze of Dajjal, while the flames suggest destruction or impending doom. The title is written above the eye in a bold, gothic font.
The book cover of "Dajjal: The Final Deception" by Aftab Shahryar features a large, prominent green eye at the center, symbolizing the all-seeing eye of Dajjal. Below the eye is an image of the Earth on fire, further emphasizing the global impact of Dajjal's deception. The title is displayed at the top in bold, metallic letters. Alternative book cover of "Dajjal: The Final Deception and Signs of Qayamah" by Aftab Shahryar prominently features an eye, with flames coming out of it. The eye symbolizes the malevolent gaze of Dajjal, while the flames suggest destruction or impending doom. The title is written above the eye in a bold, gothic font.

The cover of the book “Who Is Dajjal?” by Marium Waqer features a stylized depiction of the Dajjal, often described in Islamic eschatology as the false messiah, with one eye closed. Dajjal has the number 666 on his hood and is wearing a necklace with an Eye of Providence pendant. Between his eyes (as a third eye) is a symbol that reads “كفر” (kafir), an Arabic word that translates to “disbelief” or “unbeliever.” In Islamic eschatology, it is said that the Dajjal, or false messiah, will have the word “kafir” written on his forehead.

The cover of the book "Who Is Dajjal?" by Marium Waqer featuring a stylized depiction of the Dajjal. The figure has one eye open and one eye closed, with symbols such as "666" and an "eye" on the hood. Dajjal is also wearing an Eye of Providence pendant. Below the image, the text reads "The False Messiah," further reinforcing the theme of the book.

In the prophecy book “The Arts of Islam: Treasures from the Nasser D. Khalili Collection,” there is an image of Isa (Jesus) fighting Dajjal. Isa is stabbing Dajjal in the right eye with a spear.

An illustration from the prophecy book "The Arts of Islam: Treasures from the Nasser D. Khalili Collection." It depicts Isa (Jesus) on a horse, with flames surrounding his head. Isa is shown stabbing Dajjal in the right eye with a spear. Dajjal is raising his arm defensively. The background features multiple onlookers, including soldiers on horseback and other men. The scene is set in a lush, floral landscape with rolling hills and a patterned building, capturing traditional Islamic art elements.

In the opening credits of the TV series “The Powerpuff Girls,” the devilish character “Him” is shown with only one eye visible while being kicked in the face by Buttercup.


Buttercup from "The Powerpuff Girls" is flying in with her leg extended, about to kick a large red character with a menacing grin, flashing teeth, and wide yellow eyes, set against a green background with energy flashes.
A close-up of Buttercup from "The Powerpuff Girls," kicking a large red character in the face. The character is wincing in pain with one eye shut as their face is struck, teeth gritted, and blood spurting in response to the impact.
Buttercup from "The Powerpuff Girls" is flying in with her leg extended, about to kick a large red character with a menacing grin, flashing teeth, and wide yellow eyes, set against a green background with energy flashes. A close-up of Buttercup from "The Powerpuff Girls," kicking a large red character in the face. The character is wincing in pain with one eye shut as their face is struck, teeth gritted, and blood spurting in response to the impact.

The movie poster for The Devil’s Own (1997), features both the characters Tom O’Meara and Rory Devaney with only one eye visible each. “The Devil’s Own” title refers to the moral ambiguity and duality of the characters, particularly Rory Devaney. Rory is involved in violent acts for what he sees as a noble cause—the IRA’s struggle—yet his methods can be seen as morally corrupt, aligning with a “devil’s” path. The title suggests that even those fighting for causes they believe in might walk a dark road, becoming “the devil’s own” in their pursuit, highlighting the conflict between good and evil in the story. Therefore Rory is depicted with only his left eye visible. Tom on the other hand, is unaware of Rory’s real intentions. Therefore he’s depicted with his only his right eye visible.

The movie poster for "The Devil's Own" shows Tom O'Meara with only his right eye visible, as his left eye is completely obscured by shadow and by Rory Devaney's face. Rory is positioned in profile, so only the left side of his face is visible, highlighting his left eye.

Articles:

Eye

Definition: The “eye” is a complex sensory organ responsible for vision. It detects light and converts it into electrochemical signals, which are then processed by the brain to produce images….

Eye of Deception

Definition: The “Eye of Deception” is a symbolic representation that what is being observed or conveyed is false or misleading. It serves as a warning or indication that what is…

Eye of Fantasy

Definition: “Eye of Fantasy” refers to the symbol of a single eye used to represent a situation that is impossible, unrealistic, or inaccurate. It is often used to indicate that…

Eye of Jesus

Definition: The term “Eye of Jesus,” also known as the “Eye on the Cross,” typically refers to a metaphorical or symbolic concept within Christian theology and spirituality. It is not…

Eye of Truth

Definition: The “Eye of Truth” is a symbolic concept carrying dual meanings. The Eye of Truth is used by spiritual people as a metaphor for seeing that which does not…

Eyes of Horus

Definition: The “Eyes of Horus” is an ancient symbol originating from ancient Egyptian mythology where a set of two eyes were referred to as the Eyes of Horus, Udjat, or…

Illuminati

Definition: “Illuminati” refers to individuals who understand how language, religion, and the world system are scams. Etymology: The term “Illuminati” originates from Latin and means “the enlightened.” It is derived…

The All-Seeing Eye

Definition: The “All-Seeing Eye,” also known as the “Eye of Providence” or the “Eye of God,” is a symbol often depicted as an eye enclosed in a triangle and surrounded…

Tower of Babel

Pieter Bruegel the Elder: The Tower of Babel (1563). Lucas van Valckenborch: Tower of Babel (1594). Gustave Doré: The Confusion of Tongues. Definition: “Babel’s Tower” is a fictional tower from…

Religion:

While the Bible does not explicitly mention the “Eye of the Devil,” the concept of Satan as an ever-watchful adversary is present. Satan is described as a tempter and deceiver who seeks to corrupt humanity (e.g., 1 Peter 5:8, where the devil is depicted as a “roaring lion, seeking whom he may devour”).

In Pagan and Occult Traditions, the “Eye of the Devil” may also relate to the concept of the “evil eye,” a belief that certain individuals can cast curses or cause harm through a malevolent gaze.